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The Medusa Effect

The Medusa Effect


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About the Book

Focusing on the recurring metaphor of Medusa's head, The Medusa Effect examines images of horror in texts by Sigmund Freud, Friedrich Nietzsche, and a series of Victorian artists and critics writing about aesthetics. Through nuanced and innovative readings of canonical works by Freud, Nietzsche, Dante Gabriel Rossetti, Walter Pater, A. C. Swinburne, and George Eliot, Thomas Albrecht demonstrates the twofold nature of these writers' images of horror. On the one hand, the analysis illuminates how the representation of something seen as horrifying--for instance, a disturbing work of art, an existential insight, or a recognition of the fundamental inaccessibility of another person's consciousness--can serve a protective purpose, to defend the writer in some way against the horror he or she encounters. On the other hand, the representations themselves can be a potential threat--epistemologically unreliable, for instance, or illusory, deceptive, fundamentally unstable, and potentially dangerous to the writers. Through a psychoanalytically informed literary analysis, The Medusa Effect explores crucial ethical and epistemological questions of Victorian aesthetics, as well as underexamined complexities of the mechanisms of Victorian literary representation.
About the Author:

Thomas Albrecht is Associate Professor of English at Tulane University and the editor (with Georgia Albert and Elizabeth Rottenberg) of Selected Writings by Sarah Kofman.


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Product Details
  • ISBN-13: 9781438428673
  • Publisher: State University of New York Press
  • Publisher Imprint: State University of New York Press
  • Depth: 19
  • Language: English
  • Returnable: Y
  • Spine Width: 20 mm
  • Weight: 412 gr
  • ISBN-10: 1438428677
  • Publisher Date: 23 Dec 2009
  • Binding: Hardback
  • Height: 229 mm
  • No of Pages: 166
  • Series Title: SUNY Series in Psychoanalysis and Culture (Hardcover)
  • Sub Title: Representation and Epistemology in Victorian Aesthetics
  • Width: 155 mm


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