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Federico García Lorca et son théâtre universel

Federico García Lorca et son théâtre universel


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About the Book

L'examen de Yerma et du processus créatif dont il est issu nous permet de conclure que Federico García Lorca avait des idées très claires sur le théâtre, sa fonction socioculturelle et pédagogique. Il était très conscient de la situation du théâtre espagnol de son époque et de son niveau artistique déficient, du rôle du public dans la formation du théâtre et vice versa. Et on peut dire la même chose du rôle de l'auteur de la pièce. Dans ce livre, nous montrons comment le poète García Lorca, bien que disparu à un âge précoce, a laissé une production artistique exceptionnelle, dont la portée est universelle, s'imposant comme l'un des auteurs les plus universels du XXe siècle. L'analyse sémiotique que nous avons réalisée a été l'un des principaux objectifs de notre travail, et nous avons mis tous nos efforts dans la partie pratique. Ce travail a été particulièrement renforcé par les théories de la sémiologie élaborées par Anne Ubersfeld, Greimas, Patrice Pavis et Bobes Naves, entre autres. Cette partie a été essentielle dans notre travail car elle nous a permis de mettre en pratique les points théoriques de la sémiologie théâtrale au texte dramatique de Lorca.


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Product Details
  • ISBN-13: 9786205266502
  • Publisher: KS Omniscriptum Publishing
  • Publisher Imprint: Editions Notre Savoir
  • Height: 229 mm
  • No of Pages: 212
  • Spine Width: 12 mm
  • Width: 152 mm
  • ISBN-10: 6205266504
  • Publisher Date: 24 Nov 2022
  • Binding: Paperback
  • Language: French
  • Returnable: N
  • Weight: 367 gr


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