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Facing the Modern

Facing the Modern


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About the Book

An engaging look at how the middle classes of fin-de-siècleVienna used innovative portraiture to define their identity

During the great flourishing of modern art in fin-de-siècleVienna, artists of that city focused on images of individuals. Their portraits depict artists, patrons, families, friends, intellectual allies, and society celebrities from the upwardly mobile middle classes. Viewed as a whole, the images allow us to reconstruct the subjects' shifting identities as the Austro-Hungarian Empire underwent dramatic political changes, from the 1867 Ausgleich (Compromise) to the end of World War I. This is viewed as a time when the avant-garde overthrew the academy, yet Facing the Modern tells a more complex story of the time through thought-provoking texts by numerous leading art historians. Their writings examine paintings by innovative artists such as Gustav Klimt, Oskar Kokoschka, and Egon Schiele alongside earlier works, blurring the conventionally-held distinctions between 19th-century and early-20th-century art, and revealing surprising continuities in the production and consumption of portraits. This compelling book features works not only by famous names but also by lesser-known female and Jewish artists, giving a more complete picture of the time.
About the Author:

Gemma Blackshaw is associate professor of history of art and visual culture at Plymouth University.



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Product Details
  • ISBN-13: 9781857095616
  • Publisher: National Gallery London
  • Publisher Imprint: National Gallery London
  • Depth: 25
  • Height: 298 mm
  • No of Pages: 215
  • Series Title: English
  • Sub Title: The Portrait in Vienna 1900
  • Width: 225 mm
  • ISBN-10: 1857095618
  • Publisher Date: 26 Nov 2013
  • Binding: Hardback
  • Edition: 1
  • Language: English
  • Returnable: Y
  • Spine Width: 21 mm
  • Weight: 1404 gr


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