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Das Traummotiv Im Yuan-Drama

Das Traummotiv Im Yuan-Drama


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About the Book

Die Mongolendynastie Yuan (1206-1368) ist aus literaturhistorischer Sicht dafur bekannt, dass sich in dieser Zeit das chinesische Drama als Gattung etablierte. Es entwickelte sich nicht mehr nur in der Form der szenischen Darstellung, sondern als eigenstandiges literarisches Werk. Die erhaltenen Yuan-Dramen sind von chinesischen Literaten verfasst, die einer hohen Funktion im staatlichen Dienste unter den Mongolen meist entbunden waren. Jedoch zeugt der Stil dieser Werke von einem Fortbestehen der Tradition, welche man gewohnlich mit dem Werk der Literatenbeamten assoziiert. Viatcheslav Vetrovs Untersuchung zum Traummotiv im Yuan-Drama wendet sich der in diesen Dramen stets prasenten Einheit von Stil und Weltanschauung zu. Das Problem des Stils impliziert die Frage danach, wie sich die Kultur des sprachlichen Ausdrucks innerhalb der neuen literarischen Form entwickelte. Dabei spielt die regelmassige Verwendung von konzeptuell begrundeten Oppositionen wie gesprochenes und gesungenes Wort, umgangssprachlicher (Baihua) und hoher (Wenyan) Ausdruck eine entscheidende Rolle. Viele der Pradikate, die in Bezug auf das Yuan-Drama als Axiom gelten, werden von Vetrov kritisch hinterfragt und anhand einer genauen Textanalyse der uberlieferten Dramen uberpruft, so z.B. die haufig genannte Volkstumlichkeit des Yuan-Dramas, die soziolinguistisch bedingte Diglossie und die Moglichkeit des Weglassens eines bestimmten sprachlichen Registers (des Gesangs bzw. des Dialogs) aus den Texten.


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Product Details
  • ISBN-13: 9783447062633
  • Publisher: Harrassowitz
  • Publisher Imprint: Harrassowitz
  • Height: 240 mm
  • No of Pages: 221
  • Series Title: Sinologica Coloniensia
  • Sub Title: Zur Semiotik Der Chinesischen Formelemente
  • Width: 169 mm
  • ISBN-10: 3447062630
  • Publisher Date: 01 Dec 2010
  • Binding: Paperback
  • Language: German
  • Returnable: N
  • Spine Width: 0 mm
  • Weight: 750 gr


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Das Traummotiv Im Yuan-Drama
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